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SRGB bit depth

Color depth or colour depth (see spelling differences), also known as bit depth, is either the number of bits used to indicate the color of a single pixel, in a bitmapped image or video framebuffer, or the number of bits used for each color component of a single pixel.For consumer video standards, the bit depth specifies the number of bits used for each color component Bit depth determines the fineness with which each distinct color is graded. Color space determines the extent within which those colors are distributed. Let's take sRGB and AdobeRGB as color spaces, and 8-bit and 16-bit color as bit depths. sRGB is a small color space, while AdobeRGB is a larger color space 3.2. Bit Depth and Banding. The larger your color space, the more important it is that you work with higher bit depth photos. In sRGB, using 8-bit per channel color will often result in smooth gradients that are just fine, with no perceptible banding

Color depth - Wikipedi

  1. RGB occupies approximately 40% more volume than sRGB, so if all the colors of the Adobe RGB space are not necessary, you use only about 70% of the available color depth (with uneven bit allocation). On the other hand, you can have many spare bits if you use a 16-bit image, so changing their distribution due to the choice of workspace may not be significant
  2. For example with 8 bit (8 bit colour depth) it does not divide in to three (RGB). Its channels are RRR, GGG, BB (8 bits, 8 channels) . It uses less blue as the human eye cannot perceive as much of the blue spectrum as it can with the red or green, the latter being the biggest and thus what is usually expanded when switching between colour spaces
  3. A 16-bit RGB or LAB image in Photoshop would have 48-bits per pixel, etc. You would assume that this then means 16-bits means 16-bits per channel in Photoshop. Well, it does and it doesn't
  4. This is sometimes referred to as 24 bit RGB. 32 bit also usually means 32 bits total per pixel, and 8 bits per channel, with an additional 8 bit alpha channel that's used for transparency. 16,777,216 colours again. This is sometimes referred to as 32 bit RGBA. 24 bit and 32 bit can mean the same thing, in terms of possible colours
  5. What does a photo look like when displayed by Windows 10, do you see colour detail you would expect. Mine show a colour depth of 24 bit (even though windows Display shows 8 bit) and the details of the image look fine. Searching the Internet for windows 10 display 8 bit shows many questions and some explanations

What's the difference between colour space and bit depth

  1. Excellent question! When you upload a PNG (Portable Network Graphics) file, similar colors in your image are combined. This technique is called quantization. By reducing the number of colors, 24-bit PNG files can be converted to much smaller 8-bit indexed color images. All unnecessary metadata is stripped too
  2. ating, but I still have a few questions I didn't really quite gather from this. What I took.
  3. An image with a bit depth of 1 has pixels with two possible values: black and white. An image with a bit depth of 8 has 2 8, or 256, possible values. Grayscale mode images with a bit depth of 8 have 256 possible gray values. RGB mode images are made of three color channels. An 8‑bit per pixel RGB image has 256 possible values for each channel which means it has over 16 million possible color values
  4. The bit-depth is a separate consideration from the color space. Image editing experts recommend editing using the widest color gamut available, which essentially means editing in the ProPhoto RGB color space. The web, and most other electronic displays, can only display a relatively small color space and are essentially limited to sRGB
  5. It's a matter of depth. The difference between camera color spaces boils down to an issue called bit depth. Bit depth is a mathematical description of how many visible distinctions between shades of color can be recognized and reproduced by different devices (a techie term for scanners, cameras, computer monitors, and printing machines)
  6. ed by color depth, which is expressed in bits per color (BPC). Most monitors support up to 8 BPC, known as 24-bit true color, where each channel of the Red, Green, and Blue (RGB) color model consists of 8 bits

With RGB, you can create other colours. Therefore an 8 bit channel (bpc) can create 256 shades of, say, green. That means we can get much more colours by combining them. To calculate the amount of colours you can get from a bit depth, you simply do the following: bit^depth^3 (3 being Red, Green and Blue). Let's do this step by step 'Bit depth' and 'Bit size' A 'bit' is a computer term for data storage. It can only contain two values, typically 0 or 1. 8-bit simply means the data chunk is 8 bits in total (or 2 to the power of 8, as each bit can be either '1' or '0'). This allows for numeric values ranging from 0 to 255 Adobe RGB 1998 occupies roughly 40% more volume than sRGB, so you are only utilizing 70% of your bit depth if the colors in Adobe RGB 1998 are unnecessary (for evenly spaced bits). On the other hand, you may have plenty of spare bits if you are using a 16-bit image, and so any reduction due to your choice of working space might be negligible

When used in 8 bit color modes (only 256 levels of grey) sRGB has way less banding in subtle gradations such as blue skies, etc. With Adobe RGB in 8 bit images, the red color that would have been close to the highest number 245 or so) in sRGB is no longer placed near the edge of the range of the image. The same red would be closer to 150 or so What Is Bit Depth. In computer programming, variables are stored in different formats with differing amounts of bits (i.e., ones and zeros), depending on how many bits that variable needs How many colours those spaces are divided in is dependant on the bit depth. So using 8 bits for each channel, in RGB, gives 256 values of Red , 256 of blue and 256 of green.256 x 256 x256 = 16777216 . Guess what : 16.7 million colour values.! So in sRGB there will be 16.7 million colours available at 8 bits per channel sRGB wurde für die CRT-Monitore des Jahres 1996 entwickelt. Viele Programme beruhen demnach auf der Annahme, dass eine 8-bit-Bilddatei unverändert auf einem 8-Bit/Kanal-Display-Buffer angezeigt wird. Daher kann man annehmen, dass sich fast jede Bilddatei mit 8 Bit pro Kanal in sRGB befindet

And this happens EVERY TIME you open, change, and then save the file. If you notice, on the Lightroom export screen, for example, there is no bit-depth choice when you select JPG. If you select TIFF, however, Lightroom would let you specify 8-bit or 16-bit. You could save a TIFF file in sRGB colorspace, as 8-bit or 16-bit It's just a weird naming thing. Photoshop lists the bit depth as Bits/Channel. The government is asking for 24 bits total (not per channel). There are 3 channels in an RGB image. So a JPG (which by definition is an RGB image with 8bits/channel) will actually be a 24 bit image. No conversion necissary We have a lot more about bit depth and color spaces if you're interested. sRGB and DCI-P3 don't come close to capturing the true spectrum of human color perception. By most estimations and with CIE 1931 as an index, sRGB covers just over a third while DCI-P3 comes close to about half of human color sensitivity The range of possible colors a video camera is able to capture is determined by the bit depth of the file format used for the recording.Bit depth is only one..

So, what is bit depth? Bit depth refers to the number of bits that your computer uses to describe a specific color to your screen. A typical modern display has 8-bit color depth, which is a shorthand way of saying 8 bits of data per primary color. Since 8 bits translates into 256 distinct values, your computer can call for 256. Bit Depth Vs Color Gamut Concepts of bit depth and color gamut while related should be looked as two separate items. Bit depth, the 30-bit part of 30-bit color is a reference to how many bits of data are allocated for each color value in a pixel. Color Gamut refers to how much color a display or printer can give My win 10 pro defaults to 8-bit color depth and for the life of me I cant find where to change it the adapter is set to 32 bit depth. however win 10 defaults it to 8bit . whats up with that. Movies are unwatchable. Photo retouch work is impossible. This thread is locked I have HP envy x360 product number 8DX23AV_1. When I received it I saw that the color depth is only 6 bit meaning it is not 100% sRGB. I selected the default option for display. I think it only has 45% NTSC. My question is, if I select the second option(the one with privacy screen), will it have..

Encoding Range: linear RGB: 0.0 to 1.0 Bit depth: 8 (others allowed) Image state: Output-referred (CRT) Reference viewing environment. Image background (proximal field): 16 cd/m 2. Viewing surround: 4.1 cd/m 2. Ambient illuminance: 64 lux Adapted white point luminance: Unspecified Adapted white point chromaticity: Unspecified Reference mediu Color depth defines how much gradation the color space can have per channel. This is often called bit depth as well, or you can come across it as bits per channel or bits per pixel. Now, in the standard sRGB, which is 8 bits per channel, it means that each of the primary colors can have 255 shades

sRGB vs Adobe RGB vs ProPhoto RGB - Photography Lif

A similar, yet not as dramatic concentration of bit depth occurs with Adobe RGB (1998) versus sRGB, except in three dimensions rather than one. The Adobe RGB (1998) color space occupies roughly 40% more volume than the sRGB color space, which concludes that one would only be exploiting 70% of the available bit depth if the colors in Adobe RGB (1998) are unnecessary. [4 I had installed the latest version of graphics card driver and check the settings but still can not find the options to change the color back to 16-bit color depth. How to change 32/16-bit color bits in Windows 10 and 8.1 * From your desktop, hold-and-press or right click any empty area, and click on Screen Resolutions from menu This most often happens because, while the monitor can process a high bit-depth, its pixels can't actually display that depth. A 24-bit colour panel uses 8 bits for each colour, but many cheap.

Voor het gebruik van Adobe RGB in 16-bit modus is het van belang dat je precies weet wat je doet, anders krijg je slechtere resultaten dan je zou hebben gehad als je bij sRGB was gebleven. Je moet je werkruimte in Adobe RGB instellen en goed controleren dat je als Adobe RGB exporteert (tenzij, zie sRGB) If it is true that bit depth and colour space are not related (which makes sense as any colour space could exist in a purely analog domain as well without any bits to consider at all), then the logical conclusion would be: theoretical perfect dithering techniques assumed, a given bit depth - analog to audio - only limits the achievable signal to noise ratio and thereas the dynamic range as the. ProPhoto RGB Er is nog een derde kleurruimte die in opkomst is onder fotografen; ProPhoto RGB. Deze kleurruimte heeft een nog veel groter bereik dan AdobeRGB. Nadeel is dat je voor deze kleurruimte eigenlijk in 16 bit mode moet doen. Nog niet alle tools binnen Photoshop zijn in 16 bit beschikbaar (in CS3 echter wel al veel)

This article discusses the color depth in TVs, including 8 bit, 10 bit and 12 bit colors, FRC (Frame Rate Control), RGBW, RGBY, color rendering coding, True Color, Deep Color, etc. The article also contains a video showing the differences between 8 bit and 10 bit color grading So, Im a bit newish to color depth and how I can enhance it. I have a Samsung JU7100 that I am still working on trying to find the perfect image for games and movies (but separately!) The options I have are RGB Full range at 8 bit output color depth OR YCbCr 4.2.2 (or 4.2.0, but isnt 4.2.2 better..

You're mixing things up here. The bit depth is something else entirely, not related at all. Again, to make a true grayscale file, Convert to Profile. If you don't know which grayscale profile to choose, I'd recommend Gray Gamma 2.2. This removes all color information and leaves only a single channel (If the image bit depth is less than 16, the least significant bits are used and the others are 0.) This is the RGB color to be used as background. When present, the bKGD chunk must precede the first IDAT chunk, and must follow the PLTE chunk, if any Bit depth is expressed as a value which describes either the number of bits per pixel (BPP), or bits per channel (BPC). The very popular JPEG format typically saves images with a precision of 8 bits per channel, using three channels, for a total of 24 bits per pixel

Color depth. Color sensors After analog-to-digital conversion, the signal for each channel is represented by a certain number of bits, usually 14 or 12 for a reflex camera, and 10 for a cameraphone; The RAW values in the R, G, and B channels on a uniform surface (ignoring noise for the time being) are not the sRGB values of this surface RGB Color bit depth. The minimum bit depth for RGB colors is 3(1bit per R, G, B channel). More about RGB color scheme. 3bit(8 colors) - bit per channel. Only one state (0/1) for each R G B color. Produce 8 colors include white and black. White mean all bits have 1 value Bit Depth. In the study of color the bit depth refers to the number of bits used for each color component in a pixel of a bitmapped image or video frame. (RGB) or 24-bit color This is NOT suppose to be a complete explanation of everything related to bit depth and channels, it's only an explanation of the bit depths in photoshop in relation to each other! Remember, 8 bit, 16 bit, and 32 bit images are NUMBER OF BITS PER CHANNEL! There are basically 3 channels in an RGB image, so that's like 24 bit, 48 bit, 96 bit.

from GIMP documentation I understand that GIMP processes internally all in 3x32b floating point no matter what bit depth is used. What puzzles me most - sRGB is 8bit gamma corrected and if I import 3 If you had 8-bit in those wide-gamuts, it would actually have more visible color banding than 8-bit in sRGB. Now, let's talk about the difference between the two color-spaces, sRGB and DCI-P3. What matters most is the color space used in the development of the game Als je dit afkort krijg je bekende uitdrukking RGB die je overal ziet. Nu weet je dus ook meteen waar RGB voor staat. Deze kleuren rood, groen en blauw kunnen we mengen zodat we alle kleuren krijgen die we maar willen. Het verschil tussen 8-bit en 16-bit zit in de combinaties die we kunnen maken GL_RGB10_A2UI: 10 bits each for RGB, 2 for Alpha, as unsigned integers. There is no signed integral version. GL_R11F_G11F_B10F: This uses special 11 and 10-bit floating-point values. An 11-bit float has no sign-bit; it has 6 bits of mantissa and 5 bits of exponent. A 10-bit float has no sign-bit, 5 bits of mantissa and 5 bits of exponent

What Is SRGB And Is It Good For Photo Editing

Colours on the web Bit depth, gamut, sRGB, Adobe RGB and

  1. 27 3840x2160 UHD 16:9 HDR IPS 4K Monitor for Photo Editing . 99% Adobe RGB, 100% SRGB, 93% DCI-P3 Color Coverage. 10-bit color depth with 14-bit 3D LUT Hardware Calibratio
  2. es how much RAM is required for processing
  3. The 14-bit 3D Look Up Table (LUT) improves RGB color blending accuracy, resulting in impeccable color reproduction. Having Delta E≤2 in both Adobe RGB and sRGB color spaces gives you the truest and most representative view of the original image. 10-bit color depth . Access more than one billion colors, natural shading,.
  4. The bit depth it uses is not an indication of the range of tones the camera has captured, but the resolution (in data bit depth terms) used to distinguish between these tones. An 8-bit image can have the same dynamic range as a 16-bit image, but the 16-bit image simply uses more data to describe the tones within that dynamic range more accurately

8, 12, 14 vs 16-Bit Depth: What Do You Really Need?

monitor - Is 32-bit color depth enough? - Graphic Design

depth-to-rgb. The problem is simple: encode a 16-bit depth image as a 24-bit RGB image, such that applying compression to the RGB image doesn't totally destroy the 16-bit depth reconstructions. Results. Here are the results of running various algorithms on the test image(s) Introduction: Vector images, sometimes called vector graphics, vector shapes, or vector objects, are made up of geometric (points, lines, or curves), organic, or free-form shapes defined by mathematical equations according to their characteristics. Common use cases: Vector images are the best choice for artworks such as technincal illustrations, letterheads, fonts, or logos — used in various. NOTE: The 10-bit signal level that should be measured for the display peak white, super white and black are defined in EBU 3325. White point chromaticity: x = 0.3127, y = 0.3290 (D65) Encoding. Range: linear RGB: 0.0 to 1.0 Bit depth: 10 or 12 Image state: Output-referred Reference viewing environmen

Video: Windows 10 defaults to 8-bit color depth automatically

How to change image 24bit rgb to 8bit rgb on gimp ? • GIMP

Color Depth. Color depth is defined by the number of bits per pixel that can be displayed on a computer screen. Data is stored in bits. Each bit represents two colors because it has a value of 0 or 1. The more bits per pixel, the more colors that can be displayed If you have a grayscale and you are using png_set_expand_depth(), png_set_expand(), or png_set_gray_to_rgb to change to truecolor or to a higher bit-depth, you must either supply the background color as a gray value at the original file bit-depth (need_expand = 1) or else supply the background color as an RGB triplet at the final, expanded bit depth (need_expand = 0) To help understand the scale of bit depth difference between 8 and 16-bit images, picture an 8-bit image as a 256-foot-tall building. A 16-bit image would be 12 miles tall, or 24 Burj Khalifas all. Intel® RealSense™ Depth Camera Manager. Installs the Intel® RealSense™ Depth Camera Manager for short-range and long-range cameras. Driver: Windows 10, 64-bit* 20201013 Latest: 10/13/2020: Intel® RealSense™ D400 Series Universal Windows Platform (UWP) Driver for Windows® 1

srgb - Color space vs bit-depth and nesting - Photography

  1. The 16-bit file held up to the stresses of the test much better than the 8-bit file, even with a final conversion to 8-bit to save the image to JPEG for the web. Starting out with more bits of color data helps the process immensely, and remaining in an expanded bit depth during processing allows Photoshop much more room to manipulate colors
  2. I would just use RGB / 444 in 8-bit for windows desktop and let HDR-capable games run in fullscreen to enable 10-bit or 12-bit 422 mode. Games have been using different res than windows desktop for 20+ years, and seeing HDR on windows desktop isn't all that important IMO (I say this as a huge HDR fan)
  3. Page 1 of 1: Ik wil wel eens weten wat het verschil nu is tussen RGB en CMYK colors. En standaard staat er in het schermpje bij een nieuw document 8 bit. Wat doe
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Windows 10, unlike game consoles does not auto-switch the bit depth of the outgoing video when launching HDR games. By default, both NVIDIA and AMD GPUs are configured to output RGB 8bit. You might be wondering But my TV turns on its HDR modes and games look better this is indeed true - HDR is a collection of different pieces that when working together create the HDR effect What jamvanderloeff said, but to add: some monitors are six bit (for each colour) and some are ten bits (for each colour). But it's normal that colour depth is either referred to as the complete bit length (32 bit) or one subcolour (8 bit). Confusing, but normal Most monitors are 8 bit, there are a few 10 bit panels, but they cost some serious $$. The 32 bit you see on the right is a whole different thing. Try Googling: 8 bit panel vs. 10 bit panel Then Google: 16 bit color depth vs. 32 bit color depth Digital cameras, or at least high-end digital cameras, have been able to shoot in the raw format for several years now, enabling you to open your images in Photoshop and edit them in 16-bit mode rather than the 8-bit mode you get with standard JPEG images.. Yet many photographers, even pro photographers, are still shooting in the JPEG format even when their camera supports raw

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Bit depth and preferences - Adobe Inc

Code: Select all $ convert image.jpg -verbose test_clean.bmp image.jpg=>test_clean.bmp JPEG 4032x3024 4032x3024+0+0 8-bit sRGB 36.58MB 0.640u 0:00.680 $ convert image.jpg -verbose -depth 32 test_clean32.bmp image.jpg=>test_clean32.bmp JPEG 4032x3024 4032x3024+0+0 32-bit sRGB 36.58MB 0.690u 0:00.740 $ identify test_clean.bmp test_clean.bmp BMP 4032x3024 4032x3024+0+0 8-bit sRGB 36.58MB 0.140u 0. In my case as these bits never existed as the files started out as 5:6:5 its not a problem. The reason that this is important to me is that I am using a lot of graphics files in a small embedded application and image size is very important to me. Here is a link to a .BMP file I am using that is stored with a 16 bit pixel size

sRGB Color Space: Is 16 bit Preferable to 8 bit

As for the second format, that's 16-bit color. It's got the potential for higher quality since it leaves the image in > 10-bpc up until scan-out, when the driver applies PQ EOTF at whatever depth you happen to be running the DWM at. scRGB is the only way to make use of signals with more than 10-bpc The ONLY way to change bit-depth in linux, is to compile your video drivers to call 10 bits per channel for your interfaces, instead of 8. Actually Nvidia GeForce Drivers have supported 10 bit per channel in Linux for a while now. Of course, you're going to need a display with 10 bit per channel color support connected via a DisplayPort to your video card for it to work As the bit depth rating increases (to a point, anyway), The chart below (Figure 1) shows you the results of the math for both grayscale only or RGB color . For now, just have a look at the grayscale values; we'll discuss color later. Figure 1: Bit-Depth Gray Tone and Color Values Step Three. When it comes to choosing your photo's bit depth, I have a simple rule I go by: I always work in 8 Bits/Channel (Photoshop's default), unless I have a photo that is so messed up that after Camera Raw, I know I'm still going to have to do some major Curves adjustments in Photoshop just to make it look right

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ProPhoto RGB - was created by Kodak for advanced image reproduction on print. This color space covers the largest range of colors and even goes beyond of what our eyes can see. To achieve this range you must shoot in RAW format and open your digital negative with ProPhoto RGB color space in 16-bit mode A 32-bit z-buffer format that supports 24 bits for depth and 8 bits for stencil. DXGI_FORMAT_R24_UNORM_X8_TYPELESS: A 32-bit format, that contains a 24 bit, single-component, unsigned-normalized integer, with an additional typeless 8 bits. This format has 24 bits red channel and 8 bits unused. DXGI_FORMAT_X24_TYPELESS_G8_UIN 色深(Color Depth),也称之为色位深度,在某一分辨率下,每一个像素点可以有多少种色彩来描述,它的单位是bit(位)。典型的色深是8-bit、16-bit、24-bit和32-bit。深度数值越高,可以获得更多的色彩 La profondità di colore (in inglese color depth, anche conosciuta come profondità di bit ovvero bit depth), nella computer grafica, indica sia il numero di bit usati per indicare il colore di un singolo pixel, in un'immagine bitmap o in una memoria buffer, sia il numero di bit usati per ogni componente di colore di un singolo pixel. Per gli standard video di consumo, come per esempio l'High.

sRGB is specified in IEC 61966-2.1, which you may also see when examining color profiles. That gobbledygook means the same thing as sRGB. (sRGB uses ITU BT Rec. 709 primaries and a gamma of 2.2, same as most kinds of HDTV.) Adobe RGB squeezes colors into The surprise is ProPhoto RGB at 32-bit, which looks the best. The difference between 16-bit and 32-bit is negligible, which is similar to what we saw in Part One. My analysis: When you're shooting in greater than 8-bit, always go to an equivalent or higher bit depth, but 16-bit should be perfect for 90% of any workflow. Never go to a lower. It's capable of providing coverage of 100% for sRGB, 99% for Adobe RGB and 96% for DCI-PI offering an overall accuracy of about Delta E<1.5. While DCI-P3 coverage could be a bit better, ViewSonic's factory pre-calibration settings make up for the lower percentage

That sounds like plenty, and to the naked eye, it is. But subtle differences between those 256 shades, impossible with 8-bit color, can help create depth and a sense of reality Bit depth refers to the overall number of levels of red, green, or blue that a camera records. 8 bits means there are 256 levels (0 to 255) of each color, or roughly 16.8 million combinations in. With this 16-bit TIFF Test Pattern, you can actually test how different applications are affecting bit-depth and which transformation are being made. Here's how to use the chart: Import the TIFF in your video software, export your codec and then get the numerical RGB values for all 4 sections of the chart

Color depth. An indication for the color resolution. 8 bits: this is very rare nowadays. It can display up to 256 colors simultaneously. Most of these test images won't be very meaningful. 16 bits: each of the red, green, and blue components can have 32 or 64 values, which is roughly what the quick gamma/contrast test below shows 1 billion colours is just another way of saying 10-bit, and the actual dynamic range isn't 4x as high as 8-bit, but rather 10x as high, because PQ or ST.2084 specifies that HDR10's peak white is 1000 nits whereas SDR is 100 nits, so 10x more dynamic range in the signal, because it uses a different EOTF (electro optical transfer function) curve 8-bit color depth= A bit references the amount of tonal variation in an image. With the RGB color mode, the image would contain 256 tonal variations each for red, green, and blue. You are able to save your image files in different color depths however, we highly recommend submitting your files in the 8-bit color depth as this is the optimal depth for our printer Microsof If you convert your photo to sRGB prior to posting to the internet, the problem should disappear. Pros and cons of Adobe RGB. The advantage of the increased size of Adobe RGB is not as clear cut as it might first appear either. For instance, most monitors only display the colors of the sRGB Color Space (usually around 97% of those colors)

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The bit-depth is the tonal variation found in the color of an image. This is the number of units in a pixel expressed in bits. Typically, every colored pixel contains three colors RGB (Red, Green. That is a depth of 8 bits per channel, for a total of 16,777,216 different colors. If you add in alpha/opacity, you can store the color in 32 bits. If you use a depth of 8 bits per channel, you can only ever represent that same number of colors, no matter what color space you're using - it would just be a different set of colors The RGB image looks is almost completely black. The maximum 10-bit value is 1023, the maximum 16-bit value is 65535. To Convert 10-bit linear to 16-bit linear you multiply by 65535./1023 and round to nearest integer. Alternatively it might be easier to work with floating point directly, so just divide by 1023 to map your data to the [0,1] range 3) 30 Bit Workflow Components. In order for you to be able to see over a billion colors in true 30 bit depth, you not only need a wide gamut monitor, but you also need other hardware and components that actually send the proper color information to the screen Alpha8: Alpha-only texture format, 8 bit integer. ARGB4444: A 16 bits/pixel texture format. Texture stores color with an alpha channel. RGB24: Color texture format, 8-bits per channel Gain's downside: Bit depth and dynamic range From the above example, it would seem like we should all run with lots of gain. The more the better! Heck, it makes the picture brighter too! I often get questions about this with the assumption that gain is making the camera more sensitive

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